Sunday, October 31, 2021

Good review of new novel

 

Robert Gribbin, The Serpent of the Nile: A Novel of South Sudan.  A review by Alan G. Johnston.  Note:  both Robert Gribbin and Alan Johnston were in the Peace Corps group that arrived in Kenya in October 1968.  They both spent many years in Africa.

 

The last place that you want to end up is in a prison cell in some remote part of Africa, whether that cell is controlled by a rebel group, an opposition warlord, or a government.  Especially if you happen to be a journalist. Bad things happen in those cells. Yet that is exactly where we meet up with the protagonist of Robert Gribbin’s new novel, The Serpent of the Nile.  As he always does, Gribbin has used his lengthy experience in many parts of Africa, including South Sudan, to provide an authentic context for this tale of insurrection and intrigue in this unstable part of Africa.  By the time you have finished this short novel, much of which consists of a concise briefing on the history, culture and politics of South Sudan, you may feel ready to take up a diplomatic post in that country, but you will probably not want to do much investigative journalism there.

As it turns out, our as yet un-named journalist is soon let loose by his captor and led to the border by the captor’s son, Owino, so that the journalist can return to his base in Kenya to recover from this close call.  All the characters in this novel seem quite plausible, and Gribbin reviews a comprehensive list of foreign aid organizations, UN agencies, NGOs, and diplomats from across the globe that have assembled in Juba to somehow help build a new country.  The name Owino reminded me of my many Luo friends from Kenya who were serving in Juba as consultants and advisors; they even jokingly referred to Juba as “Little Kisumu.”  But after a short respite our free-lance journalist friend, Paul, who happens to be a Black American who served in the Peace Corps in Kenya and who can pass as a Kenyan when it serves his purposes, is back in Juba searching for a lead on some illegal Chinese dealings, a story that he can sell to the international press.

The main problem that I have with this novel is that it is too short.  It establishes a realistic context for the events of the novel, but three-quarters of the way through the book Paul is still not yet in the serious trouble that we know is coming.  A more elaborate rendition of the story would get us more invested in the characters and leave us even more astounded by the outcome.

It is quite possible to spend significant amounts of time in Africa and not realize the extent to which sorcery and various spirits have such a major influence for both good and evil.  Gribbin does not make that mistake.  The novel’s namesake Serpent of the Nile raises its head and has a practical impact at several key junctures in the story.  In fact, for many of the South Sudanese who we meet in these pages, their glimmer of hope for the future, in this otherwise forlorn country, rests in their eventual salvation by this very serpent.

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