The Unheard – a memoir of deafness and Africa
by Josh Swiller; Henry Holt and Company, New York, 2007
If you yearn to relive the angst, frustrations, self-doubt and self discovery of your Peace Corps experience, this may be the book for you. Josh Swiller who served in northern Zambia in the early 1990s was an unusual volunteer who apparently had an unusually conflict ridden tour. Perhaps, as he himself would admit, it was his combative personality, but also – as he repeatedly refers to in the book – it was because the town where he was assigned was just mean and devoid of effective leadership. In any case, common cultural misunderstandings often flared up into major confrontations, especially when our idealistic hero put his foot down and stood firm on his scruples.
Josh’s experience was sadly typical in many respects. He was puzzlement to the community. Why was he there? Why was he impotent to wave a magic wand and heal the diseased and dying or provide wells, jobs or education? Ultimately since he could not work wonders, what was amiss? On Josh’s side, he too wondered why he was there. What was he to do to promote development? And how to do it? Especially since the community’s response was nearly zero. Finally, what did he accomplish?
Josh carried an additional burden as a deaf man. He could partially understand one-on-one when his hearing aids were working, but in crowds or with background noise intelligible sounds ceased. Josh wrote frankly about his deafness and the issues that he had to deal with - exclusion from group conversations for example. But part of his motivation to join the Peace Corps was to find himself and to find a place where deafness mattered less. He said he found that in Zambia. Being white and American was odd enough; no one seemed concerned with his deafness.
Josh forged a solid friendship with Augustine Jere who served as his guide to Zambian culture and the strange town they lived in. Ultimately, this friendship was tested by culture and corrupt, even evil, circumstances. Without divulging the story, let me say that it tracks. Zambians, their town, expectations and frailties come alive. The author writes compellingly. Former PCVs will recognize the reality of the world Swiller so ably describes and will admire his tenacity even while deploring his (self admitted) foolishness in attempting to deal with it.
Reviewed by Robert E. Gribbin, December 2007
Friday, November 30, 2007
Saturday, November 17, 2007
Book review - The Camel Bookmobile
The Camel Bookmobile
Marsha Hamilton
Harper Collins, New York, 2007
This novel has an odd, but quite descriptive title. The story revolves around a camel carried bookmobile that operates out of Garissa into Kenya’s northern reaches. The delivery of books to isolated nomadic villages brings into play the tension of the novel - the clash of worlds. Modern Africa and America represented by the books and the warm-hearted do-gooder young New York librarian on one hand and the tradition bound villagers of Midima on the other.
Books turn the village topsy turvy. Some welcome the introduction of new ideas and wider windows on the world. They – a teacher, a progressive grandmother and many youths – see that change in Kenya is inevitable and that the village or at least some villagers ought to join the outside world. Elders and cynics scorn the effort seeing it realistically as undermining the culture, tradition and bush knowledge that sustained the tribe for generations.
Our heroine Fi Sweeny brings her naiveté about Africa and western values to bear. She gets caught up in the inner tensions of village relationships where she herself is a catalyst interrupting the predictability of rural timelessness. As is true with PCVs, Fi learns more about love, hope, and life than she gives in her exchanges with villagers. The engaging story plays out against the backdrop of impending drought where the very survival of the semi-nomadic people is menaced.
The various elements of the plot and characters permit the author to observe alternatively cynically or sympathetically about the intrusions of the modern world into traditional life, the role of women and motivations behind humanitarian good works. The various characters are nicely developed. The village setting is authentically rendered. The story has good pace and keeps the reader guessing until the end.
Marsha Hamilton
Harper Collins, New York, 2007
This novel has an odd, but quite descriptive title. The story revolves around a camel carried bookmobile that operates out of Garissa into Kenya’s northern reaches. The delivery of books to isolated nomadic villages brings into play the tension of the novel - the clash of worlds. Modern Africa and America represented by the books and the warm-hearted do-gooder young New York librarian on one hand and the tradition bound villagers of Midima on the other.
Books turn the village topsy turvy. Some welcome the introduction of new ideas and wider windows on the world. They – a teacher, a progressive grandmother and many youths – see that change in Kenya is inevitable and that the village or at least some villagers ought to join the outside world. Elders and cynics scorn the effort seeing it realistically as undermining the culture, tradition and bush knowledge that sustained the tribe for generations.
Our heroine Fi Sweeny brings her naiveté about Africa and western values to bear. She gets caught up in the inner tensions of village relationships where she herself is a catalyst interrupting the predictability of rural timelessness. As is true with PCVs, Fi learns more about love, hope, and life than she gives in her exchanges with villagers. The engaging story plays out against the backdrop of impending drought where the very survival of the semi-nomadic people is menaced.
The various elements of the plot and characters permit the author to observe alternatively cynically or sympathetically about the intrusions of the modern world into traditional life, the role of women and motivations behind humanitarian good works. The various characters are nicely developed. The village setting is authentically rendered. The story has good pace and keeps the reader guessing until the end.
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